Types of Retouching Career

If you’re seriously considering a future career in retouching, you’re undoubtedly aware of the huge range of potential options and specializations in the industry. From working fashion in-house, to remotely delivering an architectural interiors project, or assisting at a shoot as a digital operator, we get the option to experience a rewarding variety of work. Broadly,

Continue reading »

RETOUCHED Magazine Debut on iTunes Newsstand

We are happy to announce the debut of [RE]TOUCHED magazine on the Apple iTunes Newsstand!   [RE]TOUCHED is a new interactive tablet-based magazine designed to give photographers and retouchers the tools, techniques, and insights they need to hone their retouching skills and excel in their businesses. Interactive tutorials, articles, interviews and downloadable bonus materials in every issue published

Continue reading »

Russell James & Nigel Barker Share Their Views On Retouching in Their #BehindtheGlass Interviews

There’s a lot of controversy about retouching, and anti-retouching campaigns keep sweeping the internet communities bashing the very art form that many of us photographers and retouchers are deeply in love with and desire to master. Let’s hear what the big boys of the photography industry have to say about it:   Russell James on Retouching:

Continue reading »

Ambition to Become Better

There are numerous opportunities and specialization options when it comes to post-production work. However, many think that to succeed as a retoucher, you need to have outstanding skills in every aspect of post-production: CGI, 3D modeling, heavy photo compositions, and so on. Although it doesn’t hurt to have some basic knowledge in every discipline, having

Continue reading »

Retouching Academy Interview: Milton Menezes, Digital Artist

This is the fifth in a series of interviews with established digital artists who exemplify another facet of the retouching industry. We hope you find this series both enlightening and informative. Milton Menezes (www.lightfarmbrasil.com) is a Rio de Janeiro  Brazil-based digital artist with 15 years experience in design, art direction, and photography. Milton is the director of Lightfarm Brasil, one of the

Continue reading »

Retouching Academy Interview: Glyn Dewis, Digital Composite Artist

This is the fourth in a series of interviews with established composite artists who exemplify another facet of the retouching industry. We hope you find this series both enlightening and informative. Glyn Dewis (www.glyndewis.com) is a photographer, retoucher, and trainer located just outside of Oxford in the United Kingdom. Glyn’s main area of work centers around shooting promotional

Continue reading »

Retouching Academy Interview: Brandon Cawood, Digital Composite Artist

This is the third in a series of interviews with established composite artists who exemplify another facet of the retouching industry. We hope you find this series both enlightening and informative. Brandon Cawood (www.brandoncawood.com), is an internationally recognized and published photographer based in Dalton, Georgia, who is known for his detail-oriented and creative images. He specializes

Continue reading »

Retouching Academy Interview: Jeff Whitlock, Digital Composite Artist

This is the second in a series of interviews with established composite artists who exemplify another facet of the retouching industry. We hope you find this series both enlightening and informative. Jeff Whitlock (www.jeffwhitlockdigitalartist.com) is a Maumee, Ohio-based digital artist with more than 20 years experience who specializes in photo illustration and creative retouching for the advertising, marketing, and

Continue reading »

Retouching Academy Interview: Greg Agee, Digital Composite Artist

Greg Agee (www.pixelogyarts.com) is a Fort Myers, Florida-based artist with 12 years experience creating digital composites. His work has received numerous awards, including the National Association of Photoshop Professionals (NAPP) Guru Award, and earned the distinction of having been accepted into the Professional Photographers of America’s (PPA) 2015 International Loan Collection. This is the first in a series of interviews

Continue reading »

The Importance of Layer Organization in Product Retouching – Part IV

This is the fourth part of the article by our guest Australian Commercial Digital Retoucher Peter Worthington. Start with Part I here: The Importance of Layer Organization in Commercial Retouching – Part I. Part II can be found here: The Importance of Layer Organization in Product Retouching – Part II. Part III can be found here: The Importance of Layer

Continue reading »

The Importance of Layer Organization in Product Retouching. Part III

This is the third part of the article by our guest Australian Commercial Digital Retoucher Peter Worthington. Start with Part I here: The Importance of Layer Organization in Commercial Retouching – Part I. Part II can be found here: The Importance of Layer Organization in Product Retouching – Part II. Grouping Related Layers You’re probably starting to get your head

Continue reading »
Pages:12»